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Amazon.com From Where I Stand traces the history of a specific influence--the country tradition--on a particular group: black American musicians. In both conception and execution it's nearly perfect. Through three discs, this 60-song box shows how country music began in the string-band era as something shared, more than less, by both black and white musicians; how country songs have been a consistent source of inspiration to R&B and soul performers from Etta James to Al Green; and how singers such as Stoney Edwards and O.B. McClinton have followed in the footsteps of Charley Pride to help in the creation of today's brand of rock & roll-influenced country music. Which is all just to say that, for fans of country-music history, From Where I Stand is absolutely essential. --David Cantwell Review It painstakingly explores the stylistic interplay between country and blues and folk, highlighting such groundbreakers as Grand Ole Opry harmonica master DeFord Bailey, soul man Ray Charles (who made two albums of country songs in the '60s), and Nashville star O.B. McClinton. . . . -- Entertainment WeeklyObsessed with farm, family, religion, alcohol, and movin' on, this collection of songs--all credited to black performers--documents the gray areas wherein two rural cultures collide.... [A] lot of From Where I Stand: [The Black Experience in Country Music] is black drawing on white drawing on black.... Not every jump-blueser or Motowner covering Hank or Willie on these discs adapts naturally to country's sway. But certain superstars--Al Green, Fats Domino, and, most famously, Ray Charles--do surprisingly well on this very complete boxed set.... -- VibeThe black roots of American pop music are nowhere more visible than they are at the base of the country idiom. This entertaining three-CD set artfully reflects that relationship with an array of performances by black musicians.... The collection also cleverly shows the cross-pollination of white musicians influencing black. -- People
Before purchasing this box set, I could probably count on one hand the number of country music records in my personal collection. I knew about Charley Pride and the forays made into country music made by the likes of Ray Charles and the Pointer Sisters, but this collection really expanded my mind. What is particularly nice about this box set is that it shows you the similarities that country music has with the blues and Black music in general. The first CD (entitled "The Stringband Era") starts off with the incredible harmonica playing of DeFord Bailey. When he plays "Pan American Blues," you really get the sense that a train is coming. Highlights of this CD are the two Leadbelly recordings and "G Rag" by the Georgia Yellow Hammers (with Andrew Baxter). Also of note is the Memphis Sheiks recording of the Jimmie Rodgers composition, "In the Jailhouse Now." In that recording, note how the lyrics are modified slightly from the original version. "The Country Soul Years," the second CD in the box set, shows how the two genres overlapped during the 1950's, 1960's and 1970's. R&B fans will feel quite at home with this disc (the producers of the box set would do an incredible service to release this one also as a separate CD). It features several familiar covers of country songs by R&B artists. The excellent liner notes were particularly helpful for this CD. For example, prior to purchasing this collection, I didn't know that "Misty Blue" was actually a country hit for both Wilma Burgess and Eddy Arnold, long before Dorothy Moore had a big Pop and R&B hit with the song in mid-1970's. The third CD (entitled "Forward with Pride"), features four songs by Charley Pride. This CD features country covers of "Color Him Father" by Linda Martell (an earlier hit for the Winstons) and "Don't Let the Green Grass Fool You" by O.B. McClinton (an earlier hit for Wilson Pickett). Other standouts are the three Stoney Edwards tracks (including his pre-George Jones version of "She's My Rock") and Professor Longhair's version of the Hank williams song, "Jambalaya." Also of note is the powerful Ted Hawkins version of the Webb Pierce song, "There Stands the Glass." If you don't think you like country music, this collection might change your mind. It certainly encouraged me to expand my country music library. At the very least, it'll broaden your view of the genre. Additionally, fans of the blues (or any lyric-based musical form, including reggae), will find much to savor in this collection. Not just in the recordings, but in the copious liner notes which include interviews with artists and anecdotes. Included is an amusing quote by jazz legend Charlie Parker, a big country music fan. When asked by a brave jazz man, "How can you stand that stuff?" Parker replied, "The stories, man. Listen to the stories!" And there are plenty of them in this collection.